The cue worksheet for
modern film composers.

Spot to picture, track every cue from sketch to delivery, and hand the production a cue sheet that gets accepted the first time.

Your picture never leaves your machine. Reference the movie file straight off your drive — nothing is uploaded until you deliberately publish a review version.

The cue list, showing a frame grab, timecodes and delivery status for each cue.

Pick where you're starting

Built around how a score actually gets made

Spot against your own picture

Link the movie file from your drive and scrub it frame-accurately. Mark cue points at the playhead and grab the frame as that cue's marker — so the list shows the shot, not just a timecode.

Timecode that behaves

Reel-aware cue numbering, drop-frame handling, and lengths that recalculate the moment an in or out changes. Set the start offset by hand, or read the burnt-in timecode off the picture.

Only the columns you want

A spot needs six fields. A feature with an orchestra needs forty. Switch column groups on as the job demands and save the layouts you keep coming back to.

The delivery trail

Track WAVs, stems, sessions, MIDI and score per cue, with approval state attached. The part of the job that actually eats your week.

Bring the production in — carefully

Invite by role, and access follows two independent axes: how much someone can do, and which columns they can touch. An orchestrator and a mixer sit at the same level but reach different fields. A director and a producer reach the same fields at different levels.

ViewerRead the cue list and watch review versions.
CommenterLeave timestamped notes against a cue.
ContributorAdd and edit, within their columns.
ApproverSign cues off and mark them delivered.
AdminSettings, members, the lot.

Every role is a preset you can edit — not a fixed list you're stuck with.

Start with one cue.

Start free